Cecelia Ardenbury (
sighsheavily) wrote in
isleofavalon2021-05-03 08:59 pm
voyagers [OPEN]
🧙 WHO: Cecelia Ardenbury, open
⚔️️ WHAT: open prompts for May -- including passage to the end of the world & the "Holo, Goodbye" quest
🕒 WHEN: May (pre-whatever-the-event)
🗺️ WHERE: Camelot, the end of the world, the road to and from the "Holo, Goodbye" quest area
⚠️ WARNINGS: None in open prompts; marked in comment subjects as needed
o1. camelot: the ambassador's office, under construction
early-early may -- like, before these other prompts ok
Now that she has received all the formal approvals and keys, Cecelia Ardenbury is beginning to set up shop, as it were. It's not the standard for-profit venture, of course, but she still has a job to do -- namely, escorting various members of the fledgling outworlder community to the viewpoint of the calamity far, far to the unreachable north of Avalon. She's given it a few goes around with a small number of people and has decided...she no longer wants to stand in a field to do this. So! Space is acquired.
Next thing to do? Get this small office space into decent shape.
Cecelia can be found during these early, early days of May sweeping out the interior, wiping down the front window, finagling with drapes, struggling with furniture... all tasks she's passable at (for the most part), but certainly leave plenty of room for helping hands, should one be so inclined!
Of course, when her ears pick up footsteps drawing near enough to her, she'll call over her shoulder in the middle of whatever chore:
"Yes, good day, sorry--no ferrying service today. Not yet, thank you. Unless you are another solicitor? In which case, not ever, no thank you."
o2. camelot: the ambassador's office, open for business
Once things are more or less in working order, some signage has been posted at the window just beside the 'OPEN' sign:
OUTWORLDER AMBASSADOR
C. ARDENBURY
CALAMITY BUSINESS ONLY
She's hoping to get something a bet more formal and final etched out atop the door, but...it'll do. Hopefully; she's not sure about window shoppers are in this part of town, so she's really just rolling the dice to see whether or not she needs to be more specific or not.
In any case, should one venture inside, they are first greeted by the gentle tinkling of a crystal bell over the door. Inside is simple, but tastefully furnished: Comfortable chairs face each other by the window, with a small tea table between them adorned with lace and some flowers. A writing desk rests beside a bare wall, and upon it is a leather-bound ledger, accompanied by quill and inkwell. A small sign just above the desk requests for guests to sign in, be they walk-ins or coming with an appointment. Names and dates. It's just good bookkeeping!
At the furthest end of the room, just before the doorway to somewhere unknown, is a more robust desk and chair -- Cecelia's workstation, somewhat reminiscent of, say, something Ebenezer Scrooge would've worked at in chillier times. She's not currently at that desk, but that little bell's sound carries, and she can be heard from behind the door:
"Sign in at the right, please! I will be with you in just a moment."
o3. the road northwest (holo, goodbye)
As important as her ambassador work, is Cecelia also needs to make actual coin to survive. It's why she's rented a horse and is currently riding one of the farm roads out toward the river to respond to the request for glittering stones. It's...innocuous enough a request, she supposes, and the outdoors gives her chance to play around with her magic development along the way, and the slow, easy pace she sets for herself leaves her plenty of time for that.
...And plenty of time to be beset by wild animals at some point, too.
So it is that at this particular junction of the journey, she's trying to calm her horse, as the sound of wolves has spooked it. She's ridden horses before, but she's not what anyone could call a master rider, so she's actually having a really hard time here!
"Peace, please!" she cries, pulling on the reins and ducking a little, fearful that the beast will try to buck her off. Instead, it seems to be ready to bolt regardless of her whims. With a scream, Cecelia finds her on a runaway horse. Help???
o4. the riverbank (holo, goodbye)
Harrowing horse problems aside, this little quest is starting to wind down and be something far less life-threatening, but...
But maybe she should've brought a gold mining pan? The glittering of the water's surface, beautiful and ethereal as it is in the twilight hours, means Cecelia finds herself plucking just as many simple stones as she does the shimmering trinkets she needs to finish this job. Her eyes gleam and reflect some of the water near her feet for a time before she gets the idea to exercise some of her power to push some of the water away from the bank and give her a chance to sift through the stones that remain and set them in her basket.
Diverting her attention like this is good exercise, but also exhausting, compounded with all the work she's done teleporting people. After a few minutes, she straightens back up, wiping her brow, craning her head up to peer at the array of starlight starting to appear as the sky darkens -- stars still and silent as the calamity itself.
⚔️️ WHAT: open prompts for May -- including passage to the end of the world & the "Holo, Goodbye" quest
🕒 WHEN: May (pre-whatever-the-event)
🗺️ WHERE: Camelot, the end of the world, the road to and from the "Holo, Goodbye" quest area
⚠️ WARNINGS: None in open prompts; marked in comment subjects as needed
o1. camelot: the ambassador's office, under construction
early-early may -- like, before these other prompts ok
Now that she has received all the formal approvals and keys, Cecelia Ardenbury is beginning to set up shop, as it were. It's not the standard for-profit venture, of course, but she still has a job to do -- namely, escorting various members of the fledgling outworlder community to the viewpoint of the calamity far, far to the unreachable north of Avalon. She's given it a few goes around with a small number of people and has decided...she no longer wants to stand in a field to do this. So! Space is acquired.
Next thing to do? Get this small office space into decent shape.
Cecelia can be found during these early, early days of May sweeping out the interior, wiping down the front window, finagling with drapes, struggling with furniture... all tasks she's passable at (for the most part), but certainly leave plenty of room for helping hands, should one be so inclined!
Of course, when her ears pick up footsteps drawing near enough to her, she'll call over her shoulder in the middle of whatever chore:
"Yes, good day, sorry--no ferrying service today. Not yet, thank you. Unless you are another solicitor? In which case, not ever, no thank you."
o2. camelot: the ambassador's office, open for business
Once things are more or less in working order, some signage has been posted at the window just beside the 'OPEN' sign:
C. ARDENBURY
CALAMITY BUSINESS ONLY
She's hoping to get something a bet more formal and final etched out atop the door, but...it'll do. Hopefully; she's not sure about window shoppers are in this part of town, so she's really just rolling the dice to see whether or not she needs to be more specific or not.
In any case, should one venture inside, they are first greeted by the gentle tinkling of a crystal bell over the door. Inside is simple, but tastefully furnished: Comfortable chairs face each other by the window, with a small tea table between them adorned with lace and some flowers. A writing desk rests beside a bare wall, and upon it is a leather-bound ledger, accompanied by quill and inkwell. A small sign just above the desk requests for guests to sign in, be they walk-ins or coming with an appointment. Names and dates. It's just good bookkeeping!
At the furthest end of the room, just before the doorway to somewhere unknown, is a more robust desk and chair -- Cecelia's workstation, somewhat reminiscent of, say, something Ebenezer Scrooge would've worked at in chillier times. She's not currently at that desk, but that little bell's sound carries, and she can be heard from behind the door:
"Sign in at the right, please! I will be with you in just a moment."
o3. the road northwest (holo, goodbye)
As important as her ambassador work, is Cecelia also needs to make actual coin to survive. It's why she's rented a horse and is currently riding one of the farm roads out toward the river to respond to the request for glittering stones. It's...innocuous enough a request, she supposes, and the outdoors gives her chance to play around with her magic development along the way, and the slow, easy pace she sets for herself leaves her plenty of time for that.
...And plenty of time to be beset by wild animals at some point, too.
So it is that at this particular junction of the journey, she's trying to calm her horse, as the sound of wolves has spooked it. She's ridden horses before, but she's not what anyone could call a master rider, so she's actually having a really hard time here!
"Peace, please!" she cries, pulling on the reins and ducking a little, fearful that the beast will try to buck her off. Instead, it seems to be ready to bolt regardless of her whims. With a scream, Cecelia finds her on a runaway horse. Help???
o4. the riverbank (holo, goodbye)
Harrowing horse problems aside, this little quest is starting to wind down and be something far less life-threatening, but...
But maybe she should've brought a gold mining pan? The glittering of the water's surface, beautiful and ethereal as it is in the twilight hours, means Cecelia finds herself plucking just as many simple stones as she does the shimmering trinkets she needs to finish this job. Her eyes gleam and reflect some of the water near her feet for a time before she gets the idea to exercise some of her power to push some of the water away from the bank and give her a chance to sift through the stones that remain and set them in her basket.
Diverting her attention like this is good exercise, but also exhausting, compounded with all the work she's done teleporting people. After a few minutes, she straightens back up, wiping her brow, craning her head up to peer at the array of starlight starting to appear as the sky darkens -- stars still and silent as the calamity itself.

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"...I'm living proof that gods exist. That someone can have the power to destroy an entire world. And even I can't believe what I'm looking at..."
He turns to Cecelia, clearly alarmed but...at the same time? There's an unusual fire behind his emerald green eyes. Like he's already made a decision.
Cecelia can probably guess what that decision is.
"What do you know about it? You have notes? Can I see them?"
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This, at least, is a more comfortable feeling of familiarity, even if it is tainted by having known those eyes beforehand at all.
"You can," she says, "but you'll find them of no use to you as they are. My shorthand isn't made to be read by anyone but myself, and I've yet had the time to transcribe them in their entirety.
"Ask your questions all the same."
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He cross his arms, almost impatiently.
"What good is coding your notes over something like this?"
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He huffs and then gestures wildly at the Calamity.
"How can you be so calm with that??"
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"My observations are still preliminary, but I can say that there is truth in the statement that things are indeed frozen; I've detected no changes in the handful of times I've been out here to observe. No visible signs of fragmentation or decay upon the barrier, either. That doesn't account for minute changes, but..."
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"So, our familiars are the ones bringing us here. In doing so, they give us magic...and this magic is supposed to...?"
He trails off as he speaks absently.
"What is mastering our magic supposed to do? Do we just...become grandmasters of our magics and hope for a spell to counter this? Siphoning energy into it seems dangerous..."
Another beat.
"I'm assuming you've talked to the Archivist? Done a run through his archives?"
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"As for that matter of magic? If I did have the spare coin, I would put it on the sustainability of the barrier." She nods out toward the expanse. "A spell that large comes at a cost, and doubtless refueling the magics of Avalon as a whole will help offset those costs."
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No, there had to be another way. Something they weren't seeing. Maybe a way to diffuse the energy? Channel it someplace else? But the sheer scope of it all...
"Damn...seeing something like that...makes me really wish I'd still had some of my powers from back home..."
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"This just makes the safe and secure cultivation of power all the more imperative."
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Something about her choice of words seems to ping something and he turns back to look at the Cataclysm.
"...Maybe that's it. Maybe that's what we need to focus on!"
He turns to Cecelia excitedly.
"Okay, hear me out. That kind of devastation must have a huge source of energy fueling it, right? Like...like the sun! Well, what if we could figure out a way to control the flow of that energy? And if we could, what if we reversed the flow?"
Hurriedly, he takes out his notebook and begins scribbling and writing.
"If time is frozen in all of these realities...then to jumpstart the flow of time in the proper direction it stands to reason an equally powerful force will be needed! We use the energy of the Cataclysm to fuel that event!"
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"Where do you mean to reverse and redirect it, Darin?" she asks. "It won't simply dissipate if you send it backward."
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He gestures to the sky, to everything.
"You mean to tell me that it's impossible when what was already seemingly impossible is taking place? All of that energy...hell, it could be used to create entire other worlds!"
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She holds up a finger to pause the conversation while she takes a moment to scratch a few things down. Once she's got enough, she keeps going, but finally carries on with what she was saying.
"Mark it down, yes, but don't marry yourself to the idea right here and now. It's still too soon for that."
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He grins in his eternally optimistic way.
"That's something to smile about at least!"
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"What are you jotting down? Is it anything about how cool and right I am?"
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"So...you're saying I was helpful, huh~"
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"...Good. To be honest...I always wanted to study magic but...I was always afraid I never had the head for it..."
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