Cecelia Ardenbury (
sighsheavily) wrote in
isleofavalon2021-10-05 09:48 am
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[OPEN] the stuff of montages
π§ WHO: Cecelia Ardenbury, OPEN
βοΈοΈ WHAT: A space for magical training/assessment and the viewing of the Calamity (ref: network announcement)
π WHEN: Oct
πΊοΈ WHERE: The Ambassador office (Camelot), Red Spring, End of the World
β οΈ WARNINGS: In subject headers as needed
SIGN IN HERE is written just above the lines of names and dates of previous visits.
There is a small table setting by the window on the opposite side, where tea is still piping hot and waiting - just in case anyone is inclined to it. Miss Ardenbury prefers spiced, robust dark brews to anything light or floral, so novice tea tongues beware.
Where once was an empty wall is now a length of engineer's drafting paper, and upon it is the sketching of two views: One, the top-down topography of the calamitous end of the world; the other being a more man's-eye view of the location. There are a few representations of the fluctuating starburst in the sky as well, alongside some peculiar, indecipherable shorthand notes in small, neat lettering.
Miss Ardenbury herself sits at an oak desk further in amongst her stack of borrowed books and personal journals, likely still scratching away or having herself some of that tea. She doesn't even look up right away to greet - the bell was signal enough for her to call:
"Do be sure to sign in, thank you. What business do you have here today?"
βοΈοΈ WHAT: A space for magical training/assessment and the viewing of the Calamity (ref: network announcement)
π WHEN: Oct
πΊοΈ WHERE: The Ambassador office (Camelot), Red Spring, End of the World
β οΈ WARNINGS: In subject headers as needed
SIGN IN HERE is written just above the lines of names and dates of previous visits.
There is a small table setting by the window on the opposite side, where tea is still piping hot and waiting - just in case anyone is inclined to it. Miss Ardenbury prefers spiced, robust dark brews to anything light or floral, so novice tea tongues beware.
Where once was an empty wall is now a length of engineer's drafting paper, and upon it is the sketching of two views: One, the top-down topography of the calamitous end of the world; the other being a more man's-eye view of the location. There are a few representations of the fluctuating starburst in the sky as well, alongside some peculiar, indecipherable shorthand notes in small, neat lettering.
Miss Ardenbury herself sits at an oak desk further in amongst her stack of borrowed books and personal journals, likely still scratching away or having herself some of that tea. She doesn't even look up right away to greet - the bell was signal enough for her to call:
"Do be sure to sign in, thank you. What business do you have here today?"
no subject
"Miss Ardenbury, if you please," she corrects, looking up from her pages to see...hm. Where was this face again? Tied to blood...
Ah.
Well. Perhaps he'll leave a better impression after that nasty business; him being here and showing any investment in the problem at all certainly helps.
"It is. As of two days ago, my last visit."
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"Has it changed at all?"
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Cecelia turns, rising out of her chair, and walks over to meet him at the drawing. Her eyes focus on the starbursts, too.
"The explosion point is under a slow-motion state of flux. It doesn't expand, but it does shift. Colors, proportions, refractions...It's hard to notice unless one were to sit and watch it for an hour or so."
no subject
Although he asks his question, his tone is more open. It's not as if he would know the answer, either. Perhaps progress is not something anyone may be able to discern; perhaps it's the mere fluctuation of which she speaks, insignificant and unchanging overall. Or perhaps the End will always be calamitous, no matter how many otherworlders this realm takes.
no subject
"At this point, it's my belief that all the magic cultivated so far has been to maintain the barrier keeping this isle safe from the massive spell that's frozen the calamity - and all the realms besides. I've not been privy to the plan moving beyond simple stasis."
And she's not happy about that; all her efforts to olive branch and offer genuine expertise have been graciously heard...and waved off or outright tabled as the next bit of ritualistic nonsense or outright disaster afoot.
no subject
"You are one of the ambassadors, are you not? Does that not afford you some amount of privilege?"
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She unfolds her arms, lifting the wrist bedecked on the enchanted bangle.
"The right to go and see - to even share the phenomenon - has been all I have been given access to as of yet. This wasn't enough to convince the brutish guard at the door to the Celliwig meeting to let me pass."
She's also not happy about that.
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"They wish us only to be patient."
With the worlds somehow frozen in time, maybe they are afforded the time.
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"Indeed, we are to grow our magics..." His voice is low, the cadence hinting at thoughtful. Then, more firmly, as if calling her attention, he continues. "Miss Ardenbury. You are supporting more advanced magical training and assessment. Are you training with others yourself?"
She had mentioned something of that upon the network.
no subject
"As of yet, no," she replies, picking up her journal and the quill she's left idle atop it. "I've been studying up on what I could gather from the Archivist as to how mages can train and expand their mastery of this or that...but much of that tends to be reliant on the individual's capacity.
"...Not all of it, however," she admits. But that's a challenge for her. Asking for help for herself is...a bit too much to ask. No - better to offer the aid to others first.
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"Developing our magic is of the utmost priority, if we wish to save this Star...."
Somnus follows the motion of her picking up the quill, his focus then turning to watch her expression.
"There is something I would like to learn from you."
no subject
"What would that be?"
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He speaks of it as if it's a proposition to train with the talents granted to them. She can exercise her bloodmagic, he can learn to defend against it.
no subject
"That's a very situational ask," she replies. "It depends on a lot of different things: Your physical stamina, the caster's magical prowess, the duration, technicality of movement or nonmovement..."
She trails off, looking askance in a brief moment of thought.
"But like any muscle, it can be trained." She nods, looking back at him. "And it's a wise endeavor, all the same. Now, pray..." Even as she says so, she walks past him, over to the ledger to see if he left a name for her to see. "Just who is it asking this of me, mm?"
no subject
"Somnus." Then, belatedly, he gives his surname. "Lucis Caelum."
She very likely already read his name from the sheet just as he says it.
"I am willing to spar as necessary to improve this defense."
no subject
"Very good. Did you arrive here with full intention of that already? If so, I imagine there's nothing you must attend to for the remainder of the day..." She trails off, arching a brow, giving him the opening to excuse himself to prepare for later if he needs.
no subject
βI am prepared. Lead us to where we may practice with these magics.β
no subject
Without any further ado, she moves to pack up her journal and quill in a satchel, retrieving a totem and locking up her office, putting her 'CLOSED' sign in the window.
"This way, if you please."
Into the concrete back room - the one laden in peculiar symbols in chalk and very poorly furnished - a pretty stark difference to the cozy, academic setup the Ambassador has up front. She lights the totem and leads the way over to Red Spring, not even bothering to stop walking as she starts in the direction of the training grounds.
"Tell me - have you experienced the effects of blood magic on yourself before?"
no subject
He follows her to the training grounds.
"The ability to control another's blood is different from other magics, for one's own body not have conscious control over what flows through their veins. This puts such mages at a grand advantage."
no subject
Her pace slows as they enter the training grounds, until she stops, turning to face him.
"All magic use is as much about the economy of stamina as the potency of the magic being cast; the same is no different for effects upon blood. It's the stakes that drastically shift. From my viewpoint, more than most other types of magic craft, overwhelming a blood mage with unexpected surges of power seems the most vital. But before we get to that, let's do a few preliminary tests."
She takes her satchel off, setting it aside on the ground, flexing and stretching her fingers.
"Mostly to see how much natural aversion to that kind of control you already have - how much I have to exert to leave an impression. And at any point you find these exercises too taxing or troubling, simply ask that we stop. We will stop. Is that acceptable?"
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"That is acceptable. Do as you will."
--And he'll attempt to defend.
no subject
While her arms rest at her sides, she shifts her focus onto what the magic lets her understand best: his heart rate, the steady flow of blood through him, the notions she can pull and manipulate that flow...perhaps, melded with her elemental powers, heat or cool it, too? But that's a bit advanced and dangerous for him. So for now...
For now, her fingers tense and curl, meaning to impose a sudden, leaden feeling in his arms in particular as she presses the notion that his hands ought to lift slowly out of their neutral state.
no subject
When she begins, his arms twitch, jerking up slightly only to quickly recoil back to his sides. Fingers extend then flex inward again, as if he could unwind the suddenly sluggish viscosity within his arteries. Somnus exhales silently through his nose, his dark eyes watching her patiently.
It seems that this amount, he can endure. "More."
no subject
For now, though, there's nothing overtly troubling about his stance or state, and so she complies, exerting further will to lift not both, but just one of his arms, as if shifting focus to just one limb will double the effectiveness of the ask.
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