Cecelia Ardenbury (
sighsheavily) wrote in
isleofavalon2021-10-05 09:48 am
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[OPEN] the stuff of montages
π§ WHO: Cecelia Ardenbury, OPEN
βοΈοΈ WHAT: A space for magical training/assessment and the viewing of the Calamity (ref: network announcement)
π WHEN: Oct
πΊοΈ WHERE: The Ambassador office (Camelot), Red Spring, End of the World
β οΈ WARNINGS: In subject headers as needed
SIGN IN HERE is written just above the lines of names and dates of previous visits.
There is a small table setting by the window on the opposite side, where tea is still piping hot and waiting - just in case anyone is inclined to it. Miss Ardenbury prefers spiced, robust dark brews to anything light or floral, so novice tea tongues beware.
Where once was an empty wall is now a length of engineer's drafting paper, and upon it is the sketching of two views: One, the top-down topography of the calamitous end of the world; the other being a more man's-eye view of the location. There are a few representations of the fluctuating starburst in the sky as well, alongside some peculiar, indecipherable shorthand notes in small, neat lettering.
Miss Ardenbury herself sits at an oak desk further in amongst her stack of borrowed books and personal journals, likely still scratching away or having herself some of that tea. She doesn't even look up right away to greet - the bell was signal enough for her to call:
"Do be sure to sign in, thank you. What business do you have here today?"
βοΈοΈ WHAT: A space for magical training/assessment and the viewing of the Calamity (ref: network announcement)
π WHEN: Oct
πΊοΈ WHERE: The Ambassador office (Camelot), Red Spring, End of the World
β οΈ WARNINGS: In subject headers as needed
SIGN IN HERE is written just above the lines of names and dates of previous visits.
There is a small table setting by the window on the opposite side, where tea is still piping hot and waiting - just in case anyone is inclined to it. Miss Ardenbury prefers spiced, robust dark brews to anything light or floral, so novice tea tongues beware.
Where once was an empty wall is now a length of engineer's drafting paper, and upon it is the sketching of two views: One, the top-down topography of the calamitous end of the world; the other being a more man's-eye view of the location. There are a few representations of the fluctuating starburst in the sky as well, alongside some peculiar, indecipherable shorthand notes in small, neat lettering.
Miss Ardenbury herself sits at an oak desk further in amongst her stack of borrowed books and personal journals, likely still scratching away or having herself some of that tea. She doesn't even look up right away to greet - the bell was signal enough for her to call:
"Do be sure to sign in, thank you. What business do you have here today?"
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"Indeed, we are to grow our magics..." His voice is low, the cadence hinting at thoughtful. Then, more firmly, as if calling her attention, he continues. "Miss Ardenbury. You are supporting more advanced magical training and assessment. Are you training with others yourself?"
She had mentioned something of that upon the network.
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"As of yet, no," she replies, picking up her journal and the quill she's left idle atop it. "I've been studying up on what I could gather from the Archivist as to how mages can train and expand their mastery of this or that...but much of that tends to be reliant on the individual's capacity.
"...Not all of it, however," she admits. But that's a challenge for her. Asking for help for herself is...a bit too much to ask. No - better to offer the aid to others first.
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"Developing our magic is of the utmost priority, if we wish to save this Star...."
Somnus follows the motion of her picking up the quill, his focus then turning to watch her expression.
"There is something I would like to learn from you."
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"What would that be?"
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He speaks of it as if it's a proposition to train with the talents granted to them. She can exercise her bloodmagic, he can learn to defend against it.
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"That's a very situational ask," she replies. "It depends on a lot of different things: Your physical stamina, the caster's magical prowess, the duration, technicality of movement or nonmovement..."
She trails off, looking askance in a brief moment of thought.
"But like any muscle, it can be trained." She nods, looking back at him. "And it's a wise endeavor, all the same. Now, pray..." Even as she says so, she walks past him, over to the ledger to see if he left a name for her to see. "Just who is it asking this of me, mm?"
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"Somnus." Then, belatedly, he gives his surname. "Lucis Caelum."
She very likely already read his name from the sheet just as he says it.
"I am willing to spar as necessary to improve this defense."
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"Very good. Did you arrive here with full intention of that already? If so, I imagine there's nothing you must attend to for the remainder of the day..." She trails off, arching a brow, giving him the opening to excuse himself to prepare for later if he needs.
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βI am prepared. Lead us to where we may practice with these magics.β
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Without any further ado, she moves to pack up her journal and quill in a satchel, retrieving a totem and locking up her office, putting her 'CLOSED' sign in the window.
"This way, if you please."
Into the concrete back room - the one laden in peculiar symbols in chalk and very poorly furnished - a pretty stark difference to the cozy, academic setup the Ambassador has up front. She lights the totem and leads the way over to Red Spring, not even bothering to stop walking as she starts in the direction of the training grounds.
"Tell me - have you experienced the effects of blood magic on yourself before?"
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He follows her to the training grounds.
"The ability to control another's blood is different from other magics, for one's own body not have conscious control over what flows through their veins. This puts such mages at a grand advantage."
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Her pace slows as they enter the training grounds, until she stops, turning to face him.
"All magic use is as much about the economy of stamina as the potency of the magic being cast; the same is no different for effects upon blood. It's the stakes that drastically shift. From my viewpoint, more than most other types of magic craft, overwhelming a blood mage with unexpected surges of power seems the most vital. But before we get to that, let's do a few preliminary tests."
She takes her satchel off, setting it aside on the ground, flexing and stretching her fingers.
"Mostly to see how much natural aversion to that kind of control you already have - how much I have to exert to leave an impression. And at any point you find these exercises too taxing or troubling, simply ask that we stop. We will stop. Is that acceptable?"
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"That is acceptable. Do as you will."
--And he'll attempt to defend.
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While her arms rest at her sides, she shifts her focus onto what the magic lets her understand best: his heart rate, the steady flow of blood through him, the notions she can pull and manipulate that flow...perhaps, melded with her elemental powers, heat or cool it, too? But that's a bit advanced and dangerous for him. So for now...
For now, her fingers tense and curl, meaning to impose a sudden, leaden feeling in his arms in particular as she presses the notion that his hands ought to lift slowly out of their neutral state.
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When she begins, his arms twitch, jerking up slightly only to quickly recoil back to his sides. Fingers extend then flex inward again, as if he could unwind the suddenly sluggish viscosity within his arteries. Somnus exhales silently through his nose, his dark eyes watching her patiently.
It seems that this amount, he can endure. "More."
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For now, though, there's nothing overtly troubling about his stance or state, and so she complies, exerting further will to lift not both, but just one of his arms, as if shifting focus to just one limb will double the effectiveness of the ask.
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Somnus' eyes narrow sharply at his bent arm before refocusing on her. Then, keeping his attention on her, he begins to walk. His path is a semicircle about her, testing if some movement disrupts some of the tension of her magic.
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She follows him with her eyes until she can't, and only then does she waste the energy to move. In that moment her hold relaxes...before a lifted hand brings with it something akin to a puppeteer's tug upon a string, an effort to demand him to swivel out of step outright, led by the force of the pull at the wrist.
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She catches him mid-step, and his balance wavers dangerously as his heel catches the ground at an skewed angle. To catch himself from properly falling, his stance widens, and he pivots, a practiced two-step for an experienced combatant. Nevertheless, Somnus' brow furrows with the effort it takes both to balance and to fight the seize she has upon his leg and arm. He lets out a leaden, short breath through his nose, frowning with the effort.
Despite the scowl he wears: good. This is good. It would not be training without exertion.
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Disgusting.
Cecelia's displeasure is painted onto her stony features even as she continues the work, now imposing the will to make him stop, straighten up, and turn. About face.
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But with each strained second that passes, more of his blood remains caught within the limb and vessels she guides and less is delivered back to the heart. Ischemia discolors the distal tips of his fingers, and pallor sets within the sharp features of his face, a thin sheen of cold sweat appearing upon his brow.
It seems he's nearing his limit, but he's stubbornly refraining from giving in completely. He's stopped in his path, yes, but Somnus turns his head sharply to the side, in defiance of standing at attention for her.
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A thin sheen of sweat dots his forehead, and his breathing comes heavier than before. Despite this his body's effort to compensate, he remains pale; when he speaks, it's through a clenched jaw, with a low, raspy voice-- all signs that he's lost. Rather than succumbing to the indignity she forces, he calls the spar.
"Enough."
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With a soft huff, she steps away, turning around so she can recompose herself with out risking scrutiny of the shifting of her expression. She just needs a moment to smooth that strain out and keep from swearing aloud, clenching and unclenching her fingers while her arms are pressed stiffly at her sides.
I hate this.
...Yes, how insightful and useful. Move along--
She turns back around, frowning over at him.
"Did I injure you in any way that needs tending to?"
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