You're definitely onto something! Don't get up yet!
[ One of the paintings manages to shake itself straight off the wall, the frame cracking when it hits the ground on its point. She doesn't jump, but she does take a step back, looking around the gallery. This part, at least, feels a little more familiar and comfortable: a hostile situation, with multiple things that want to attack, if not necessarily kill them.
(But also, not necessarily not want to. She doesn't actually trust that these things just want to scare them and nothing else.)
One of the paintings stretches a too-long arm out of the canvas, making a grab for Crow's back. Whether it wants to drag him in or just stop him, Ritsuka responds without really thinking: she darts over to the painting, yanking it off the wall and then just tossing it down the hallway, as hard as she can. It's too heavy to go far in the air, but it does slide further away when it hits the ground. ]
--also, no pressure, but I think the sooner you get through, the better!
no subject
[ One of the paintings manages to shake itself straight off the wall, the frame cracking when it hits the ground on its point. She doesn't jump, but she does take a step back, looking around the gallery. This part, at least, feels a little more familiar and comfortable: a hostile situation, with multiple things that want to attack, if not necessarily kill them.
(But also, not necessarily not want to. She doesn't actually trust that these things just want to scare them and nothing else.)
One of the paintings stretches a too-long arm out of the canvas, making a grab for Crow's back. Whether it wants to drag him in or just stop him, Ritsuka responds without really thinking: she darts over to the painting, yanking it off the wall and then just tossing it down the hallway, as hard as she can. It's too heavy to go far in the air, but it does slide further away when it hits the ground. ]
--also, no pressure, but I think the sooner you get through, the better!